<img src='' title='Archives: What's On Events' alt='' id='templ_icon_' width='' height='' /> Archives: What's On Events

Graham Moore / UK 2022 / 105 min / Cert 15

Set in a gentlemen’s outfitters in Chicago in 1956, this old-fashioned crime thriller has a strong dialogue driven story with lots of twists on the way.

Mark Rylance gives a stellar performance as Leonard Burling, a master tailor from Saville Row. Most of Leonard’s customers are gangsters who use his back room as a place for trading messages. He turns a blind eye, until a visit one evening has devastating consequences.

With its action in a single location, it has been likened to a Hitchcock thriller. “The Outfit follows a pattern set by countless flicks of the past, but its freshness is in the intelligence and surprise of the script” (Empire)

Ilker Catak / Germany 2023 / 98 min / Cert 12A / Subtitles

A gloriously intense thriller about things that can happen every day – and the dramatic impact of a few wrong decisions, even if taken with good intentions.

Leonie Benesch (The Crown) plays Carla, a dedicated young German high school teacher. When a series of thefts occur and one of her students is suspected, she does some modest detective work – with unexpected consequences.

She then tries to mediate between outraged parents, opinionated colleagues and aggressive students, but is relentlessly confronted by the school system structures, overlaid with national, racial and class resentments.

As we will Carla to transcend the obstacles and threats, the more desperately she tries to do everything right, the more she seems to approach disaster.

Jonathan Glazer / UK 2023 / 105 min / Cert 12A / Subtitles

The most requested film by our members and the winner of both the Oscar and Bafta for the best foreign language film.

Based on Martin Amis’ novel of the same name, it tells the story of Rudolf Hoss who is a devoted family man. He lives with his wife and young children in an attractive villa close to his work as the commandant of the Auschwitz extermination camp.

The film has been described as a landmark movie, hugely important, that’s unafraid of difficult ideas. It does not show what is happening close to the family home, but the events are heard.

The picture won the Oscar for best sound.

Jonathan Glazer’s unforgettable Auschwitz drama is a brutal masterpiece (The Guardian)

Jeff Nichols / USA 2023/ 116 min / Cert 15 / Speech subtitles, to help audience members with hearing loss

Set in 1960s Chicago, this is an absorbing drama based on true events. We follow the rise and decline of fictional motorbike club, The Vandals, through the eyes of Kathy (Jodie Comer, giving a riveting performance). She is married to Benny (Austin Butler), who is expected to be the successor to leader Johnny (Tom Hardy).

The country changes with the return of the Vietnam veterans, as does the bikers club. “Jodie Comer, Austin Butler and Tom Hardy are magnetic in this power struggle-cum-love triangle inspired by Danny Lyon’s 1968 photographic study of

Chicago bikers.” (The Guardian).

See Stafford Film Theatre’s full programme from as little as £5.50 per film.

Ticket prices

Full price:       £12 *

Senior (Over 60): £11 *

Junior (Under 25): £7.50 *

Membership (cost for 12 films)

Full member:                   £114 (price per film £9.50) *

Senior:                £102 (price per film £8.50) *

Junior:                £66 (price per film £5.50) *

See six of Stafford Film Theatre’s fantastic new line-up of films from as little as £5.50 each.

Ticket prices

Full price:       £12 *

Senior (Over 60): £11 *

Junior (Under 25): £7.50 *

Half season membership (either films 1-6 or 7-12)

Full member:     £57 (price per film £9.50) *

Senior:                £51 (price per film £8.50) *

Junior:                £33 (price per film £5.50) *

Cord Jefferson / USA 2023 / 116 min / Cert 15

Thelonius “Monk” Ellison is a literature professor and novelist whose highbrow fiction works sell poorly.

Angered by the accusation that his writing ignores ‘the African-American experience’, Monk pseudonymously pens a stereotypical ‘Black’ novel which gains widespread acclaim.

Soon he’s complaining to his agent: “The dumber I behave, the richer I get.” This delightful satirical comedy is an Oscar and Critic’s Choice winner for best adapted screenplay.

“Elegantly walking a line between absurdist satire and family drama, this is a clever send-up of how the broadness of Black culture gets reduced to cliché.” (Empire).